Eric Geso Aims At The 002 Title in The Liberian Music Industry

The Liberian music industry has been buzzing with discussions and controversies surrounding the coveted title of the 001 artist. Recently, Jzyno, a Ghana-based Liberian singer, claimed this title, sparking a debate about who truly leads the industry. In response, traditional singer-songwriter Eric Geso declared himself as the 002 of Liberian music. In this piece I’ll delve into the significance of these claims and explore how an artist’s influence and contributions are measured in determining the 001 of an industry.

Eric Geso, known for his traditional music style, has positioned himself as a prominent figure in the Liberian music scene. In his statement, he acknowledges that he may not be the biggest or the smallest, but he consistently ranks among the top five artists. Geso believes that his influence and significance in the industry make him the 002 of Liberian music. By claiming this title, he asserts his position as a key player in the industry, highlighting his contributions and impact.

MC Caro, a female rapper, took issue with Eric Geso’s self-proclaimed title. She argues that Geso should not have named himself the 002, as she believes he is by far one of the biggest artist in the industry. Caro emphasizes Geso’s energy and contributions, suggesting that he deserves 001 title more than JZyNo, who she claims was not even recognized as an artist until recently. Her response challenges Geso’s assertion and raises questions about the criteria used to determine the leading artist in the industry.

Determining the 001 artist in any industry is subjective and can vary based on different factors. While popularity and commercial success are often considered, other elements such as artistic innovation, cultural impact, and longevity also play a significant role. An artist’s ability to connect with their audience, inspire others, and push boundaries can contribute to their status as a leader in the industry.

In the case of Eric Geso and JZyNo, both artists have made notable contributions to the Liberian music industry. JZyNo’s recent rise to prominence has sparked interest and controversy, while Geso’s traditional music style has garnered him a dedicated fan base. However, it is essential to recognize that the 001 title is not solely based on individual achievements but also on the collective perception of the artist’s impact on the industry as a whole.

Conclusion:

The debate surrounding the 001 title in the Liberian music industry highlights the passion and competitiveness within the local music scene. Eric Geso’s claim as the 002 and MC Caro’s response demonstrate the desire for recognition and acknowledgment among artists. Ultimately, the determination of the leading artist in any industry is subjective and multifaceted, considering factors such as popularity, innovation, and cultural impact. As the Liberian music industry continues to evolve, it is important to celebrate the contributions of all artists and recognize their unique talents and influences.